Chrysalis – Aurorum Review
Aurorum, after opening their first single “Butterfly Goo” last year, continued their debut with a...
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Julian Landis
Mall Emo or Midwest Emo? – A Review of Superkick’s if not no worries
Indie trio Superkick opens this year with two singles, released as if not no worries. This album...
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Earthworm Two – The Phi. Dept. Review
The Phi Dept. debuted this year with their first two singles, titled “EarthWorm Two,” on January...
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An Iconic Sound, A Controversial Sound – A Review of Los Campesinos’ NO BLUES
Los Campesinos! is well-received and recognizable when it comes to the British emo scene.. A...
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Dreams of a Simpler-ly Complicated Time – A Review of Jenny from Thebes by The Mountain Goats
The Mountain Goats remain the passion project of frontman John Darnielle, pulling in different...
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Another Middling Album Mentioning Dogs – A Review of Citizen’s Calling the Dogs
With Citizen’s 2013 album, Youth, the Toledo-based band exploded into the fourth-wave emo scene,...
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Early Impressions – Sufjan Stevens’ Javelin
Sufjan Stevens’ new 2023 release, Javelin, feels like a capstone, one that he’s been working up to...
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Wiping off the Rose-Tinted Glasses – A Review of The Front Bottoms’ You Are Who You Hang Out With
New Jersey-based band, The Front Bottoms, premiered their new album, You Are Who You Hang Out...
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Penelope – Small Crush: How can we express love? A Review
Small Crush is the passion project of front woman Logan Hammon, based in the Bay Area of...
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