Category: Features
An Autumn Exhale: Listening to Oblivion
Alice Phoebe Lou’s Oblivion is a quiet exhale—the kind of album that doesn’t demand attention, but...
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Almost Monday at Avondale Show Review
With many modern indie-rock groups beginning to trend towards the folk side of the genre, Almost...
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The Days of Our Nights: A Time Capsule to the ’90s
The first time I heard Luna’s The Days of Our Nights, I was sitting in my local library reading a...
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Getting Killed: Geese Is More Confident Than Ever
Few modern rock bands seem as confident as Geese does on Getting Killed. Brooklyn-based rock...
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Bright Eyes’ Kids Table: Between Ska Rhythms and Sharp Cutting Wings
Bright Eyes’ Kids Table arrives as both companion and epilogue to their previous album, Five Dice,...
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Twilight Override: An Exploration of Past, Present, and Future in 30 Songs
Jeff Tweedy, front man of Wilco, has been making waves in the Indie Rock scene since 1995 with the...
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Please let rockstars score your film: Reviewing NIN’s new TRON Soundtrack
Over 10 years ago, Daft Punk took their synths to the screen when they soundtracked Tron: Legacy,...
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WVUA-FM’s Summer Playlist
With July starting and the days only getting hotter, those of us here at WVUA thought it would be...
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Forever Howlong: A New Era of Black Country, New Road
Forever Howlong is the fourth album from the UK genre-bending collective, Black Country, New Road....
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MARCH IN REVIEW
Marked by a myriad of highly anticipated albums, the past month saw a lot of great records come...
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Punk Might Be Dead – Reviewing Neck Deep’s October 9th Performance at the von Braun Center
Punk is a reactive, churning genre. The name ‘punk’ itself coopts the mocking insult that those...
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Mamalarky’s Indie Pop Exploration of Friendship
Mamalarky’s sophomore album, Pocket Fantasy, is a happy-go-lucky exploration of friendship and...
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